I have that outlook, that perspective, that awareness. It resonates from within, and I can relate to it from the dark place in my own soul. "But the original is dark as night and it comes from a deep, deep place in Peter Green’s soul. In response to a question about how Priest's cover stacks up with the original, Hammett said "In retrospect, I obviously have a lot of respect for Judas Priest, and their cover version of Green Manalishi is really heavy.
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I listened to it and really, I felt like it was more rocking than their stuff on the radio."
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"I said, 'What do you mean old Fleetwood Mac?' And he said, 'Yeah, Fleetwood Mac used to be a blues band.' He gave me a tape of Green Manalishi and some of their other songs, including Rattlesnake Shake and Black Magic Woman. "I looked at the label one day and saw the song credits: 'Peter Green, John McVie and Mick Fleetwood,' and I went, 'Huh, what’s this about?' I asked someone and he said, 'Oh yeah, it’s old Fleetwood Mac.' Intro F Yeah, yeah Chorus F Gm C Em The world is so small, till it ain't (yeah) F Gm C Em I'm building up a wall, till it break F Gm C Em She hate it when I call, and it's late F I don't wanna keep you waiting Gm Bb C Em I hope I never keep you waiting (yeah) F Gm C Em I. "I have to admit I was introduced to that song by Judas Priest when they covered it on Unleashed in the East," Hammett said. There is no strumming pattern for this song yet.
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A post shared by Robb photo posted by onīack in June, Hammett told Guitar World about how Judas Priest led him to The Green Manalishi, and Green-era Fleetwood Mac in general.